Excerpt from Key to the Additional Exercises to Harmony: Its Theory and Practice<br><br>The student must be careful also nbt to conclude that he has necessarily failed because his melody differs from that given in the key for a large number of the basses given will carry many different melodies above them. As an illustration of this point, the author may mention that he some time since gave one of the basses in the additional exercises (no. 12 to Chapter XIII.) to several of his best pupils at the Royal Academy, with special directions to write as good a melody above it as they could. Five or six hymn-tunes were the result, no two of which resembled one another, while not one was identical with that in the key yet all were good tunes. The resources both of melody and harmony are practically inexhaustible, and it is to aid the student in exploring them that this key is published.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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